![]() Apart from those presets (and Contour Design’s crowd-sourced presets at its forums), you can customize to your own preferences just as freely as you can map shortcuts inside of, e.g., Adobe Premiere. I suppose one minor qualm I’ve got is that it seems like the list needs a bit of tidying up: in the example at right, you’ll see “Adobe Premiere CS&CC (Edit)” versus “Adobe Premiere (Clip Edit),” just to mention two examples, and who could know the difference? It’s possible to delete some of those outdated entries manually, digging deep into the system disk, but it’s not possible from within that interface. They can be re-assigned using a background task that has its own configuration interface, seen at right, which auto-selects from a variety of application profiles depending on what you are using at the time. The above illustration gives you some idea of the numerous Adobe Premiere functions that can be assigned to the ShuttlePRO’s dedicated buttons. But as you can see from the pictures, it’s gotta lot more buttons. The first, most apparent difference is its heft: heavier, and thus gripping the desktop better, it gives confidence in every click, where the ShuttleXpress might have rattled or slipped a bit. ![]() But I figured, after years of using it, that now’s a good time to take a look at the upgraded version called ShuttlePRO v2. Really, the value of a shuttle dial for video editing is that rapid ability to tick-tock forward and backward, when things are really getting precise.įor that purpose the ShuttleXpress is great for most everyone: and at under $60, it’s a no-brainer to buy, especially when you’re starting out. True, you could also turn the perimeter of the dial for “scrubbing” at intuitively variable speeds through your footage (a hold-over from spools of magnetic tape), but that’s still a matter of getting cue points in the ballpark. While you could always press the forward/backward arrows on your keyboard to move frame-by-frame, that would occupy your right hand when it could be put to better use multitasking on the mouse. 90% of its value came from its shuttle dial, and even there, especially its center hub that clicks as it rotates, with indents up top for your finger. But a company called Contour Design has always been there, and for me, I was using their ShuttleXpress for years. ![]() Who’s making them? One of the big surprises is, almost no one. If you edit, you need one, plain and simple. Why do most digital non-linear video editors (home studios in particular) still lack them? But jog shuttles never went out of fashion, and they never will. That latter thing of rainbows is growing extinct: to take Adobe Premiere as an example, you’re better off just moving your mouse around than remembering which colorful keys to tap on for the most part. Old-skool vets of tape editing know especially well what it means to sit in a “suite” with big jog shuttles and colorful keyboards. You can dedicate your primary screen to your timeline, effects and playback monitors, with your second screen dedicated to organizing your assets like a storyboard.īut there’s another and even more under-appreciated tool for video editing: dedicated controls, beyond the computer keyboard. ![]() #Contour shuttle device configuration how to#I teach four sessions per year on how to edit with Adobe Premiere, and the first/best advice I’ve come up with is that productivity is all about screen real estate: it’s crazy to work from a laptop screen, let alone just one monitor, when it’s so utterly cheap nowadays to grow your editing workspace by adding at least one extra monitor, for the cost of a few beers. Same thing goes for the gear you need in the editing suite. #Contour shuttle device configuration code#The creators of this product, Contour Design, are offering readers here an exclusive 20% discount off any purchase from their webstore using coupon code FP20 at: It’s a common insight that editing a film is where most of the magic happens that it’s underestimated. ![]()
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